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    View Cheap and Thin by Raymond Richard NeutraPreview
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    Cheap and Thin

    Neutra and Frank Lloyd Wright

    by Raymond Richard Neutra

    This is the price your customers see. Edit list price

    Softcover
    Flexible, high-gloss laminated cover
    Hardcover, Dust Jacket
    Linen cover with full-color dust jacket and flaps
    Hardcover, ImageWrap
    Cover design is printed on the hardcover
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    About the Book

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    Sometime in 1932, Frank Lloyd Wright ( 1867-1959) sarcastically characterized my architect-father Richard Neutra's recently built Lovell Health House as "cheap and thin". My father would have been justified in protesting that criticism from the man whose fundamental architectural strategies he deeply admired. You see, in order to make his envisaged prefabricated housing, schools, libraries, and health centers economical, he had to make them thin. It was part of his plan to capture the essence and lessons of the Arts and Crafts movement-and of Wright's machine-friendly evolution of it-without the conspicuous consumption of materials, space, costly craftsmanship, and allusions to other epochs and social classes.

    This book explores the forty-year relationship between my parents and the great Frank Lloyd Wright. I attempt to explain how someone could still feel loyal to Wright and his design strategies, even if that person aspired to be cheap (in the good sense of being inexpensive and affordable) and beautifully thin (light and easy to transport). The book ends with my speculations about the nature of "influence" of a powerful personality like Frank Lloyd Wright on other powerful personalities like my Austrian father Richard Neutra ( 1892-1970) and my Swiss mother Dione Neutra (1901-1990).
    Features & Details

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    • Primary Category: Architecture
    • Project Option: 6×9 in, 15×23 cm
      # of Pages: 250
    • Publish Date: Sep 09, 2018
    • Language English
    • Keywords Frank Lloyd Wright, Neutra, modern architecture
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    About the Creator
    jake3213
    Jonathan Pearlman

    Jonathan Pearlman began taking pictures with a Kodak Instamatic 124 with flashcubes in 1967. A serious attention to photography began with the purchase of a Canon FTB single-lens reflex in 1974. He soon set up a darkroom at home and learned the in's and out's of developer, stopbath and fixer. Wandering through seedy areas of New York City, he tried to emulate the black and white photos of David Plowden in his book, The Hand of Man on America. A stint as the photo editor of his college newspaper led to a three-year engagement as an architectural photographer for Margaret Henderson Floyd, a leading New England historian. While studying architecture, he made a modest living photographing buildings in Boston, Austin and in Italy. Digital photography has made taking pictures a commodity, but Jonathan still looks for the composition and detail that makes photography worthwhile and satisfying. He is a practicing architect in San Francisco, California.

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