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    View Crosswalks by Buzz PiosoPreview
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    Crosswalks

    Portfolio

    by Buzz Pioso

    This is the price your customers see. Edit list price

    Softcover
    Full-color paperback on cover stock without flaps
    Quantity:
    About the Book

    Edit

    This series focuses on images that prominently include crosswalks. Crosswalks provide benefits beyond their practical purpose. They channel pedestrians, sometimes few and often many, into a tidy zone of moving humanity. The number of pedestrians on the crosswalk can result in two distinct sounds. For images with a large group of pedestrians, the depicted hustle and bustle allow one to almost hear the cars and noise of the city. Images with few pedestrians sound quiet in comparison. A crosswalk's white zebra pattern on black asphalt adds considerable, ready-made character, lines, and contrast to any image.

    Crosswalks also serve as a subtle stage for observing urban life, highlighting the interactions and rhythms of people as they move from one side of the street to the other. Their presence in photographs often evokes a sense of movement and transition, capturing fleeting moments of daily routines or unexpected encounters.
    Author website
    http://www.buzzpioso.com
    Features & Details

    Edit

    • Primary Category: Portfolios
    • Additional Categories Street Photography, Arts & Photography Books
    • Project Option: Standard Portrait, 8×10 in, 20×25 cm
      # of Pages: 28
    • Publish Date: Nov 22, 2025
    • Language English
    • Keywords dc, washington, nyc, street photography
    See More
    About the Creator
    bpioso
    Buzz Pioso
    Clifton, VA, USA

    My practice centers on the unscripted dynamics of public space. I photograph cities as living ecosystems of movement, absorption, and fleeting connection. Rather than chase spectacle, I focus on gestures—how people stand, wait, lean, accelerate, hesitate. These small but revealing details expose the psychological undercurrents of daily life and the subtle ways individuals influence the texture of the places they pass through. I work with spatial tension, layered compositions, and a tonal palette that emphasizes clarity over drama. I’m interested in how architectural structures, light, and human behavior converge to create unrepeatable arrangements. My goal is not to tell stories about individuals but to illuminate the micro-geographies of the street: the spaces between people, the rhythms of flow, and the silent negotiations that shape how we coexist. I am married with full-grown children and live in Clifton, Virginia, USA.

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